*Someone* (me) forgot to take a camera to Stratford. Hence, please find attached a picture of my cat. |
It's nighttime, I've had about 5 hours of sleep and 5 plastic beakersful of cheap sparkling wine. It is time for me to take care of my responsibilities before bedtime, and as this clearly isn't quite the state to be in to effectively critique post-1960s Holocaust drama it is time to turn to the second on the list.
Firstly, I must acknowledge that the photos on this blog are vastly inferior to those I used to treat you with every week on Guten Morgen Berlin. It's regrettable, but it's also representative of the way of things around here; one gets a lot done and sees a lot, but as most of it consists of dreadfully boring literature or dark and empty pubs the photo opportunities are far less colourful than wonderful, spectacular Berlin. Oxford is photogenic nonetheless, and the fact that I have so far not yet given you a single glimpse of Japanese tourists wearing Union-Jack ponchos has driven home the fact that I must start taking my camera everywhere I go like I used to. Worry not, loyal readers; the visual interest is coming soon. Nicht umschalten!
Secondly, and if I may, I would like to move on to the real topic for today. A few days ago I got an email from the Royal Shakespeare Company asking me if I wanted to go on a student coach trip to see Peter Weiss' Marat/Sade performed in the Swan theatre in Stratford-upon-Avon, Shakespeare's birthplace and general rad place to be. Like a shot I booked a place. "Now why on earth would you pay all that money and go all that way just to see a postmodern German play about the French Revolution and the assassination of Jean-Paul Marat as reconstructed by a group of lunatic asylum inmates as a metatheatrical device?" I hear you cry. It's not an obvious choice for a Monday night treat, I'll grant, but I happen to be studying Peter Weiss and it seemed like it would be educational. It involved a journey in a coach, for crying out loud. Of course it would be educational.